Writing in Real Life

"Writing In Real Life is here for the writer who struggles, the writer who makes mistakes and the writer who is passionately committed to writing regardless of acknowledgment, reward or honors. I have been on four shows, but the majority of my writing has been for my own self-growth and entertainment. My goal is to tell the truth about my writing path so that others may learn from it, grow from it and maybe get more juice for their own creative endeavors."

Write What Sells: 2025 Network Mandates Revealed

Discover exactly what network execs are looking for—and what scripts are getting tossed. Stay ahead of the curve with this essential guide.Shows

Amazon
WANT: big, sci-fi, supernatural
AVOID: N/A

CBS
WANT: animation, character driven, grounded sci-fi (not mentioned if other types of sci-fi are OK)
AVOID: politics

FX
WANT: animation, comedy forward (progressive politics), ensembles, tonally similar to “Archer”, taboo topics, stories not seen before
AVOID: N/A

Hulu
WANT: animation, action adventure, very high bar (wasn’t specified on what this meant)
AVOID: multi-cam

Paramount
WANT: anti-heroes, LGBTQ+ (I’m not against making some of my characters fill this role)
AVOID: N/AS

Starz
WANT: female narratives
AVOID: N/AFeatures

Columbia
WANT: high concept, female centric.
AVOID: N/A 

Indie Market 
WANT: female centric, inspirational, true
AVOID: N/A

Apple
WANT: cheaper films (under 15 mil) like “Coda” and “Fingernails”, humanity but commercial, why now, hopeful, any genre, female forward
AVOID: bloody horror 

Netflix
WANT: big romances
AVOID: N/A

Universal
WANT: romantic comedies (but potentially bigger budget)
AVOID: stories for young kids 

Film Nation
WANT: 7-20 mil features that are left of center (assuming they mean politically??)
AVOID: YA, kids, family, horror